"A LAMBDA Award winner returns with a darkly funny and emotionally raw exploration of friendship, identity, and unraveling under pressure. In Cannon, Lee Lai—acclaimed author of the award-winning graphic novel Stone Fruit—delivers a vivid, poignant follow-up that dives headfirst into mental health, intergenerational caregiving, and the messiness of queer friendship. With her signature blend of sharp humor and tender observation, Lai paints a portrait of a young woman cracking under the weight of an aging grandfather, an emotionally distant mother, and the slow, heartbreaking drift from the person who once meant everything to her. Visually striking and emotionally resonant, Cannon is a stunning and unforgettable story of breakdowns, breakthroughs, and the fragile strength it takes to rebuild."
"Outrageous, passionate and glamourous - a stunning graphic biography of the six sisters who blazed their way through the 20th century, beguiling their peers, the press and then the rest of the world. Drawn with inimitable artistic flair and a mischievous affinity for the decadent and grandly declining aristocracy, Mimi Pond brings the Mitfords to life in this glittering and lovingly researched family biography."
"Holy Lacrimony is classic DeForge–oscillating between shockingly dirty, casually funny and earnestly engaged in the socio-politics of his fictive worlds. Part abstract shape blending and part hieroglyphic storytelling, each image is a discrete and tightly designed object of beauty that never loses the forward motion of the best personal cartooning. DeForge continues to prove that he’s the single most innovative and empathetic cartoonist in the past twenty years."
"Inspired by the folk tales and oral traditions of his Caribbean roots, Milk White Steed is a dreamlike venture into the messy truths of everyday West Indian lives: the abiding pursuit of the familiar and the vicious appraisal of their own otherness, all at once. Phantom desires, unchecked reveries, and surreal visions of the future flood the page in full-color. Kennedy’s decisive woodcut-inspired brush-strokes draw a striking portrait of the Black diaspora as it sees itself, always searching and yet forever seeing."
"Melissa Mendes pastoral cartooning captures the openness of rural America soft breezes, tall grass, whirring grasshoppers, rainstorms, skinned knees. But all the while, the cruelty, the disappointment of man lurks behind the barn and in the trailer. Life can be stubbed out as easily as a cigarette tossed in the dirt. One moment all focus, next, gone without a thought. Will Edie find herself repeating a cycle or will she be free like she felt as a child?"