Blogcritics | Jeff Provine | March 29, 2022

Blogcritics reviews Mr. Colostomy!
Comic Review: 'Mr. Colostomy' by Matthew Thurber
Mr. Colostomy by Matthew Thurber leaps off the web into the physical world in the new collection published by Drawn+Quarterly. Mr. Colostomy took life originally as a serialized web comic strip running from 2017 to 2019 on Instagram and Patreon, truly an artistic creation of the modern times in its ability to reach audiences directly all over the world at once. Each comic was created within a public space, which lends its energy to the surreal noir that is the quixotic world of art-detective Mr. Colostomy.
As part of the direct touch of audience and creator, Thurber describes Mr. Colostomy as a parapraxic production. The notion borrows from the psychological principle of parapraxis, which is used in an attempt to scientifically describe humans’ tendencies toward momentary forgetfulness or misspeaking that reveals deeper hidden meaning. Rather than painstakingly working out details or revising drawings again and again, Mr. Colostomy makes a celebration of the “mistake,” running with it to see where it will go. Thanks to that freedom, there is nowhere the comic cannot explore.
Armed with the ability to roll on in any direction, Mr. Colostomy gains another powerhouse of storytelling techniques styled after Scheherazade, the legendary narrator of One Thousand and One Nights. Stories continue with surprising twists that lead the characters in a new direction of the plot. Or characters bring up a stories of their own, creating multilevel narratives through flashbacks woven into flashbacks before climbing back into the main line of plot. This unruly nature allows for even more freedom where not only can anything happen: it must.
Read the rest of the review here!
As part of the direct touch of audience and creator, Thurber describes Mr. Colostomy as a parapraxic production. The notion borrows from the psychological principle of parapraxis, which is used in an attempt to scientifically describe humans’ tendencies toward momentary forgetfulness or misspeaking that reveals deeper hidden meaning. Rather than painstakingly working out details or revising drawings again and again, Mr. Colostomy makes a celebration of the “mistake,” running with it to see where it will go. Thanks to that freedom, there is nowhere the comic cannot explore.
Armed with the ability to roll on in any direction, Mr. Colostomy gains another powerhouse of storytelling techniques styled after Scheherazade, the legendary narrator of One Thousand and One Nights. Stories continue with surprising twists that lead the characters in a new direction of the plot. Or characters bring up a stories of their own, creating multilevel narratives through flashbacks woven into flashbacks before climbing back into the main line of plot. This unruly nature allows for even more freedom where not only can anything happen: it must.
Read the rest of the review here!

