My New York Diary (Paperback)

An all-new edition of groundbreaking, flagship D&Q author Julie Doucet’s glorious contribution to the graphic memoir canon.

In 1991, pioneering cartoonist Julie Doucet packed up her life and moved to New York. Thirty-five years later, the diary she kept lives on as a classic of autobio and literary comics.

Doucet takes readers through a chaotic yet deeply relatable time. Trouble crops up at every other turn through a toxic on-again-off-again relationship, her creative insecurities in a male-dominated art scene, her worsening epilepsy, and a tendency to self-medicate with booze and drugs. This unapologetic, no-holds-barred account of an artist’s day-to-day in her mid-20s captures the highs and lows of modern womanhood. New York’s 90s underground scene comes to life in strikingly detailed panels with messy uptown apartments, crowded punk clubs, and unmanicured, trash-lined city sidewalks in all its dingy glamour. 

Each and every panel of My New York Diary is jam-packed with the exquisitely blocky flourishes that cemented Doucet’s reputation as one of the most influential contemporary cartoonists of our times and earned her the Grand Prix d’Angoulême in 2022.

Read an excerpt

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“Dark, funny, feminist… My New York Diary sealed the reputation of Montreal-based cartoonist Julie Doucet. [It’s] a signal text: for its intimate revelations (miscarriage, drugs, epilepsy); its bold, confident draftsmanship; and its spot-on presentation of decline—of crumbling relationships and of charismatic men overwhelmed by insecurity.”—ArtForum

“[Julie Doucet is] creating some of the edgiest work about young women's lives in any medium.” —The New York Times

“The Canadian artist whose funny, feminist, and candidly intimate tales of the female psyche have never seemed more bracing or relevant."—The Guardian

“The daring adventures of Julie Doucet’s smart, hot, disheveled, and sometimes rageful imaginary self just goofing off or engaging in semierotic play with an array of mammalian coconspirators have seared themselves into the minds of a generation of readers.”—The Paris Review

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