Core female cartoonists as named by Booklist

Core Collection Graphic Women

Mason Crest    |    Ray Olson and Gordon Flagg    |    March 27, 2008

My New York Diary. By Julie Doucet. 2d ed. 2004. Drawn & Quarterly, paper, $15.95 (9781896597836).

With brutal honesty, Doucet, creator of the underground comic Dirty Plotte, looks back on her harrowing bohemian days in Manhattan. Her loopy, cluttered drawings and postfeminist insouciance lend her account improbable charm.

One Hundred Demons. By Lynda Barry. 2002. Sasquatch, $24.95 (9781570613371); paper, $17.95 (9781570614590).

This collection of long stories by the creator of the weekly Ernie Pook’s Comeek is based on an art exercise that Barry uses to exorcise personal demons, among them, old boyfriends, grandmas, liars, hippies, the 2000 election, and her own bad behavior.

Summer of Love. By Debbie Drechsler. 2002. Drawn & Quarterly, $24.95 (1-896597-37-8); paper, $16.95 (1-896597-65-3).

Ninth-grader Lily has moved with her family to a new community and must find her place in her new high school’s pecking order. Drechsler compellingly captures the angst, insecurities, and petty feuds typical of the teen years as Lily tries to make friends and sexually awakens.

We Are on Our Own. By Miriam Katin. 2006. Drawn & Quarterly, $19.95 (9781896597201).

The first graphic novel by 63-year-old animator Katin recounts how she and her mother faked their deaths and fled Budapest after the Nazis occupied it. Passages set decades later reveal that Katin’s experiences deprived her of any religious faith to pass on to her child.

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