November 12, 2008
As individuals involved in the art form of comics and graphic novels, we are glad to see that a graphic novel has made the short-list for this year’s Governor General’s Literary Awards. SKIM (by Mariko and Jillian Tamaki) is a wonderful book and deserves the attention. But we’re troubled by the fact that only one of its co-creators is receiving credit for the creation of the book’s text. We understand that an award-category exists for illustration, but to have nominated Jillian in that category would not have rectified the problem. Indeed, that would have highlighted how our medium is misunderstood.
We’re guessing that the jury who read SKIM saw it as an illustrated novel. It’s not; it’s a graphic novel. In illustrated novels, the words carry the burden of telling the story, and the illustrations serve as a form of visual reinforcement. But in graphic novels, the words and pictures BOTH tell the story, and there are often sequences (sometimes whole graphic novels) where the images alone convey the narrative. The text of a graphic novel cannot be separated from its illustrations because the words and the pictures together ARE the text. Try to imagine evaluating SKIM if you couldn’t see the drawings. Jillian’s contribution to the book goes beyond mere illustration: she was as responsible for telling the story as Mariko was.
In an October 21st article for the CBC website, one of your jurors, Teresa Toten, was interviewed: “Toten praised SKIM for using the graphic novel format to tell a sophisticated story about what life is like for teenaged girls. The work is remarkable in part because of how the words and pictures both contribute to the literary quality, she said.” And that is the point of this letter. “[T]he words and pictures both contribute to [SKIM’s] literary quality”.
A new category does not need to be created to properly address the graphic novel. In fact, it is best to see graphic novels appear in literary awards only when they deserve to compete equally against prose on their literary merit alone.
In writing this letter, we don’t mean to slight Mariko. One of the reasons this collaboration works so well is because she understood how to write for this medium. But we feel that as things now stand, Jillian is being slighted. We want both of the enormously talented creators of this book to be honoured together for their achievement.
Chester Brown (Author of Louis Riel)
Seth (Author of It’s a Good Life, If You Don’t Weaken)
NAMES IN SUPPORT OF THIS LETTER
Lynda Barry (Author of What It Is)
Peter Birkemoe (Owner of The Beguiling)
Dan Clowes (Author of Ghost World)
David Collier (Author of The Frank Ritza Papers)
Julie Doucet (Author of 365 Days)
Chris Oliveros (Publisher of Drawn and Quarterly)
Joe Ollmann (Author of This Will All End in Tears)
Bryan Lee O’Malley (author of Scott Pilgrim)
Michel Rabagliati (Author of Paul Moves Out)
Art Spiegelman (Pulitzer Prize winning author of Maus)
Adrian Tomine (Author of Shortcomings)
Chris Ware (Author of Jimmy Corrigan, Smartest Kid on Earth)