6.5 x 9
184 Pgs
$24.95 CAD/$21.95 USD


Hot Comb offers a poignant glimpse into Black women’s lives and coming of age stories as seen across a crowded, ammonia-scented hair salon while ladies gossip and bond over the burn. The titular story “Hot Comb” is about a young girl’s first perm—a doomed ploy to look cool and to stop seeming “too white” in the all-black neighborhood her family has just moved to. In “Virgin Hair” taunts of “tender-headed” sting as much as the perm itself. It’s a scenario that repeats fifteen years later as an adult when, tired of the maintenance, Flowers shaves her head only to be hurled new put-downs. The story “My Lil Sister Lena” traces the stress resulting from being the only black player on a white softball team. Her hair is the team curio, an object to touched, a subject to be discussed and debated at the will of her teammates, leading Lena to develop an anxiety disorder of pulling her own hair out. Among the series of cultural touchpoints that make you both laugh and cry, Flowers recreates classic magazine ads idealizing women’s needs for hair relaxers and product. “Change your hair form to fit your life form” and “Kinks and Koils Forever” call customers from the page.

Realizations about race, class, and the imperfections of identity swirl through Flowers’ stories and ads, which are by turns sweet, insightful, and heartbreaking. Flowers began drawing comics while earning her PhD, and her early mastery of sequential storytelling is nothing short of sublime. Hot Comb is a propitious display of talent from a new cartoonist who has already made her mark.

Praise for Hot Comb

Hot Comb provides a glimpse into a set of very specific gendered, racialized and generational experiences that are nevertheless relatable for any reader who has experienced growing pains, complex family dynamics and struggles with self-image and identity.

Winnipeg Free Press

With Hot Comb, Ebony Flowers has created one that’s particularly engaging, with a mixture of day-to-day events and compelling storytelling that shows she deserves to be seen as a breakout talent.

Toronto Star

Ebony Flowers is an important new voice... There’s so much to enjoy and unpick here, great storytelling with multiple layers celebrating family, friendship, race and community.

The Quietus

Vivid and resonant… In the eight stories of Hot Comb, a mix of autobiography and fiction, the thread throughout is black women’s hair — as a source of intimacy, community and tension.

The New York Times Book Review

[A] exhilarating collection...All of the stories in [Hot Comb] confront the attitudes inscribed in the commonplace language of black hair that is wild, untamed, and raw in its natural state, and yet so fragile when fixed that it can be undone by a drop of water.

The Comics Journal

Hot Comb is nostalgic, telling, and poignant as Flowers explores mother-daughter relationships, self-identity, and conversations about the female experience.

The Chicago Tribune

Hot Comb is a confirmation of Flowers’s ability to keenly observe and illustrate the lives and habits of her friends and family.

Brooklyn Rail

Recounting her own hair-centric experiences alongside those of other black women, Flowers offers a rich, multi-dimensional exploration of how relationships with hair change over time. Flowers is also an ethnographer, and her passion for examining people and cultures results in stories that are sensitive to individual circumstances while tackling bigger issues faced by black women.

The AV Club

Hot Comb is a relaxed and relatable experience. I honestly could not put it down after reading the first page. With a charming mix of humor, heart, and a hard dose of reality, this book is a must read for all.

Taneka Stotts, ELEMENTS: Fire An Anthology by Creators of Color

Ebony Flowers pushes the bounds of the comic form in this intimate and poignant portrait of black womanhood.

Shelf Awareness

Hot Comb makes itself clear that it’s not about male desire, or male pleasure. It’s about what Black women think: of themselves, of each other, of their communities. They talk to each other while they’re at salons, they braid each others’ hair, they make little refuges from the judgment of the rest of the world...Flowers is a remarkable cartooning talent

Seattle Review of Books

This rich collection of comics brilliantly explores the ways that Black women and girls use hair care to console, construct, and criticize themselves and one another.

School Library Journal

Flowers explores the insecurities that can come with a seemingly simple hairstyle as told through a young girl getting her first perm to fit into her all-Black neighbourhood. It’s a stunning piece of art.

Refinery 29

[Hot Comb is] rich with both sorrow and celebration as it champions black womanhood and family ties... How black hair is treated (literally and symbolically) becomes the lens to explore both oppression and community... Vibrant and immersive.

Publishers Weekly, Starred Review

Whether these tales are memorializing a first perm or family grudges at a funeral, Flowers captures how community and conflict alike form around hair-care routines and coming-of-age rituals, all lovingly rendered in fluid, curlicue comics.

Publishers Weekly best-of 2019

Flowers, winner of a Rona Jaffe Foundation Writers’ Award, offers a series of poignant and insightful stories in a graphic novel that explores the lives of black women, the cultural complexities around their hair, and issues of race and class.

Publishers Weekly Spring 2019 Notable Graphic Novels

Flowers’ debut work, Hot Comb, is a memoir and primer on Black hair that pulls no punches about the time and pain involved in hair pressing, relaxing, braiding, and more, but along the way Flowers unlocks way more than hair mysteries. Flowers wraps her short stories of friendship, family, and conflicting viewpoints up under the recurring theme of: “Who did your hair?” The end result is a whole new look into a world many never get to see.

Portland Mercury

In the titular tale, a young girl tries to change her hairstyle to avoid accusations of being “too white” for her new, predominantly Black neighborhood, allowing Flowers to interrogate intersections of race, class and identity with a perspective that is vital in comics, now more than ever.

Paste Magazine

In Hot Comb, Flowers graphic short stories uncover more anxieties experienced by Black and biricial females, where their tresses are too curly too straight or even shaved right off. Along the way Flowers recreates classic ads to illustrate how mass media adds to the cauldron of social pressure.

NOW Toronto

Flowers is able to pack her frames with the kind of detail that brings a narrative fully alive, while her deceptively naive drawing style belies the psychological depth of her character portraits, pulling you in by stages until you feel yourself a participant in these women’s travails.

Montreal Gazette

These complex stories about the ‘ordinary’ lives of black girls, mothers, sisters, aunties, grandmas, nieces, and friends are extraordinary. What Ebony Flowers brings to comics is fresh and absolutely groundbreaking. I’ve been waiting for a book like this forever.

Lynda Barry

In Hot Comb, Ebony Flowers has created an original collection of haunting short stories about the Black experience that go far beyond hair and beauty. Issues of race, class, gender, and family bonds are all explored with Flowers' vivid and lively illustrations.

Lori L Tharps, co-author of Hair Story: Untangling the Roots of Black Hair in America

Hot Comb is one of the best [comics] I read this year. Just charmingly illustrated, funny, touching, true-life stories about hair, women, culture, and everything in between.

Lisa Hanawalt, New York Magazine

Flowers employs a dazzling array of illustration and storytelling techniques...with heart, humor, and an unflinching determination to deliver truth free from sentimentality.

The Library Journal

In a Proustian spirit, Flowers uses the hair-salon scent of ammonia and the caresses and yanks on the scalp to evocatively dip into her childhood memories of growing up — in Severn, Maryland and southeast Baltimore — and to re-conjure her realizations about class, gender, and the regulation of black bodies... Hot Comb is poignant, funny, infuriating, and gorgeous.

LA Review of Books

An intimate and truthful collection of stories from an exciting new voice in comics.

Jillian Tamaki, author of Boundless

An honest assemblage of stories and narratives that elaborates and celebrates the legendary connection of Black women and their hair and ultimately paints the struggle that they endure, sometimes heartbreakingly so, in their most delicate moments. The stories by Flowers, is propitious, gifted and masterfully told. The art by Flowers, is sophisticated and rich in broad strokes. Altogether, a tome that will inoculate compassion and understanding into most readers even when the world resists the need to celebrate our differences.

Graphic Policy

Hot Comb will take every Black woman back to her first relaxer—not just the process itself but the peer pressure to "perm" and the unexpected reactions in the aftermath. Flowers shows us why it's always about more than just hair. What a delightful read!

Dr Cheryl Thompson, Beauty in a Box: Detangling the Roots of Canada's Black Beauty Culture...

Hot Comb is all comic, but it’s also all story. It’s memoir. It’s cultural commentary. It’s American history through the lens of African-American experience.

Denver Westword

Hot Comb is Flowers’ debut book and it’s a hugely impressive one, placing Flowers’ intellectual strength upfront....Hot Comb is like a masterclass in how to make comics.

Comics Beat

Hot Comb explores the complex relationship between appearance, empowerment, subjugation, and society.


Hot Comb is several things all at once: book with enough childhood stories to possibly be considered coming of age, a collection of short stories, a graphic novel, a memoir, a debut book, an ode to Black hair and the women it belongs to.

Black Nerd Problems

Flowers...offers a refreshing perspective about our hair as a means of community formation and the space that the ritual provides for us to process difficult life moments. Her self-penned drawings and accompanying dialogue illustrate the complexities of Black women’s relationships with each other and our hair, following our strands through beauty salons and living rooms, on subways, and even to the grave.

Bitch Media
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