5.9 x 8.3
480 Pgs
$34.95 CAD/$29.95 USD


Grass is a powerful anti-war graphic novel, offering up firsthand the life story of a Korean girl named Lee Ok-sun who was forced into sexual slavery for the Japanese Imperial Army during the second World War - a disputed chapter in 20th century Asian history.

Beginning in Lee’s childhood, Grass shows the leadup to World War II from a child’s vulnerable perspective, detailing how one person experienced the Japanese occupation and the widespread suffering it entailed for ordinary Korean folk. Keum Suk Gendry-Kim emphasizes Lee’s strength in overcoming the many forms of adversity she experienced. Grass is painted in a black ink that flows with lavish details of the beautiful fields and farmland of Korea and uses heavy brushwork on the somber interiors of Lee’s memories.

Cartoonist Gendry-Kim’s interviews with Lee become an integral part of Grass, forming the heart and architecture of this powerful non-fiction graphic novel and offering a holistic view of how Lee’s wartime suffering changed her. Grass is a landmark graphic novel that makes personal the desperate cost of war and the importance of peace.

Grass is translated from Korean by Janet Hong, an award-winning writer and translator based in Vancouver, Canada. Her translations include Ancco's Bad Friends (Drawn & Quarterly, 2018), Han Yujoo’s The Impossible Fairy Tale (Graywolf Press, 2017) and Ha Seong-nan’s The Woman Next Door (forthcoming from Open Letter Books in 2019). She is currently long listed for the 2018 PEN Translation Prize.

Praise for Grass

A powerful novel that bears witness to the true story of a young woman forced into slavery during WWII.

Words Without Borders

Lee’s life story, as drawn in Gendry-Kim’s compassionate graphic memoir, deserves to be widely read as much for its historical lessons as its graceful visual storytelling.

Winnipeg Free Press

"Unflinching...Gendry-Kim can capture Lee’s gap toothed raucousness as a girl on one page, and on the next plunge us fully into nightmare. “I’ve never known happiness from the moment I came out of my mother’s womb,” Lee says. By the end of this searing book, those words read more as understatement than exaggeration."

The New York Times

The term “comfort women” [is] controversial, distorting, inadequate – a euphemism that misrepresents the sexual slavery endured by Korean girls and women during the Second World War at the hands of the Japanese military. Grass tells the story of one of this system’s survivors, revealing the horrific realities that the term “comfort woman” occludes.

The Globe and Mail

[Grass] doesn’t pull its punches… Life was harsh for Lee Ok-sun [and] Keum Suk Gendry-Kim’s book, based on interviews with Lee at a nursing home, is not an easy read but depicts with sensitivity the twists and turns of her journey.

South China Morning Post

Like the best entries of the graphic-historical canon, Grass is at once the singular and personal story of one woman’s life and a book about the power and the necessity of seeing and sharing the human stories around us.

Quill and Quire

Difficult, moving... Gendry-Kim tells Ok-sun’s powerful story with grace, artfulness, and humility; it deserves witness.

Publishers Weekly

Gendry-Kim’s forceful art, with its wild lines and dense black, plunges fully into the realm of nightmare. We see the men in silhouette, each face just a pair of leering eyes and a set of demonic teeth... The next two pages are as heart-stopping as any comics I’ve seen. They depict nothing less than the death of a soul.

Ed Park, New York Times Book Review

A small girl on a large, empty page. Alone in a cruel uncaring world. A world at war. Grass is heartbreaking and beautiful. Recurring images of nature, at once delicate and strong, help you to breathe while you choke up from the brutality. Repetition of sky, trees, birds, grass, youth, hunger, old age, and friendship. War must end. Then tears and strength and heroism. Loss but also hope.

Miriam Katin, Letting Go, We Are On Our Own

Based on interviews with Ok-sun and rendered with exquisite brushwork, Gendry-Kim’s account delivers uncommonly powerful reading about survival and the struggle for agency in the aftermath of incredible trauma.

Library Journal

A landmark graphic novel that makes truly personal the desperate cost of war and the importance of peace.

International Examiner

With an array of visual techniques, from rough smudges to detailed strokes, some fluid and others startling, Keum Suk Gendry-Kim's Grass challenges readers to think critically about their own responsibility as they absorb former "comfort woman" Lee Ok-sun's story. What is our role as readers in relation to this story? How should we approach inevitable gaps in memory and failures of our own knowledge and imagination? What are the ethics in (re)telling their narratives?

Emily Yoon, A Cruelty Special to Our Species, Ordinary Misfortunes

Rarely is it seen in biographic memoirs the ability to depict a fullness to the person who lived the tale, and Gendry-Kim has clearly taken the time to make this a tale of living instead of solely a tale of survival.

Comics Beat

Heart-rending nonfiction tale of wartime Korea.


I couldn’t be more grateful to Keum Suk Gendry-kim for telling this story, and to Janet Hong for so faithfully translating not only her words, but their impact, their clarity, their truth.

Books and Bao best translated books of 2019

Grass tells its story so powerfully because it speaks so frankly.


Gendry-Kim depicts Korea in gentle detail, using an increasingly dark and jagged style to represent conflict in her true-life story of the ways in which war changed both an entire way of life and a single individual.

Ross Johnson, Barnes & Noble Blog
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